{"id":2974,"date":"2024-09-11T15:22:57","date_gmt":"2024-09-11T12:22:57","guid":{"rendered":"https:\/\/festival2024.rixc.org\/?page_id=2974"},"modified":"2024-12-15T23:21:46","modified_gmt":"2024-12-15T20:21:46","slug":"tatsuru-arai","status":"publish","type":"page","link":"https:\/\/festival2024.rixc.org\/?page_id=2974","title":{"rendered":"Tatsuru Arai"},"content":{"rendered":"\n

Tatsuru Arai (DE\/JP)<\/strong>
<\/strong>Face Of the Universe<\/strong>
<\/strong>A.I. paint\/draw system and another generative system, 2023<\/em><\/p>\n\n\n\n

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Tatsuru Arai. Face of the Universe, 2023. Symbiotic Sense(s) exhibition, Riga, 2024. Photo: Lelde G\u016btmane<\/em><\/figcaption><\/figure>\n\n\n\n

Artist Tatsuru Arai is researching flowers in cities around the world and creating works that make full use of A.I. technology. In this project, he conducted a survey focusing on plant geopolitics, topography and ecosystems in the urban and rural areas of each city, and based on the differences and distribution of each region. The wild flowers that coexist in the urban area are part of the history of the ecosystem born from the nuclear fusion energy of the sun, and may be the \u201cface of the universe\u201d.
Tatsuru Arai’s main artistic theme is to present the fundamental physical nature of the universe in the form of perceptual experiences. His attempt is to realize the perception of music through a non-auditory sense by extracting and visualizing the geometric structure of music. Creating a way to experience a part of the nature of the universe through sound is his idea of the ultimate artistic work.<\/p>\n\n\n\n

Tatsuru Arai<\/strong>
2003\u20132009: Bachelor\u2019s and Diploma studies in composition with Akira Nishimura, Toshio Hosokawa, and Sunao Isaji at Tokyo College of Music.
2007: Composition class with Bernhard Lang at Impuls in Graz.
2009-2013: M.A. studies in Composition, Computer Programming, and Multimedia Art with Wolfgang Heiniger at the Academy of Music “Hanns Eisler” Berlin.
His opera Vitruvian was performed in Berlin and London, marking an innovative approach to contemporary opera by integrating classical music with new technology. His primary artistic theme is the fusion of classical compositions with new technology, a concept he calls “TRANS-AGES MUSIC.” His work seeks to present the fundamental physical nature of the universe through perceptual experiences, often described as the aesthetics of “geometric structure.” By exploring the human perception of sound \u2013 a physical phenomenon \u2013 he aims to reveal how these geometric structures help us understand the universe’s true nature, creating experiences that convey even a fragment of the universe’s essence through sound.
Since 2016, he has been composing Hyper Serial Music, which introduces innovations to the principles of Serialism by emphasising three key aspects: “structural,” “complex,” and “noisy.” Hyper-Serial Music is algorithmic music generated by state-of-the-art technology, including Artificial Intelligence, rather than solely by human intellect. He has performed this work in over 60 cities.<\/p>\n\n\n\n

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Tatsuru Arai. Face of the Universe, 2023. Symbiotic Sense(s) exhibition, Riga, 2024. Photo: Lelde G\u016btmane<\/em><\/figcaption><\/figure>\n\n\n\n

Tacuru Arai (DE\/JP)
Visuma seja<\/strong>
2023<\/em><\/p>\n\n\n\n

Tacuru Arai p\u0113ta ziedus pils\u0113t\u0101s vis\u0101 pasaul\u0113 un rada darbus, kuros pilnv\u0113rt\u012bgi izmantotas m\u0101ksl\u012bg\u0101 intelekta tehnolo\u0123ijas. Projekt\u0101 Visuma seja, m\u0101kslinieks veic p\u0113t\u012bjumu, koncentr\u0113joties uz augu \u0123eopolitiku, topogr\u0101fiju un ekosist\u0113m\u0101m katras pils\u0113tas urb\u0101najos un lauku apvidos, k\u0101 ar\u012b pamatojoties uz to at\u0161\u0137ir\u012bb\u0101m un izplat\u012bbu katr\u0101 re\u0123ion\u0101. Savva\u013cas pu\u0137es, kas l\u012bdzpast\u0101v pils\u0113tu teritorij\u0101, ir da\u013ca no ekosist\u0113mas v\u0113stures, kas radusies no saules kodolsint\u0113zes ener\u0123ijas, un, iesp\u0113jams, uzskat\u0101mas par Visuma seju.
Tacuru Arai m\u0101ksliniecisko darbu centr\u0101 ir Visuma fizik\u0101lo pamatu att\u0113lojums, kas izpau\u017eas unik\u0101l\u0101s un neaizmirstam\u0101s uztveres pieredz\u0113s. Vi\u0146a m\u0113r\u0137is ir rad\u012bt m\u016bziku, kas sniedzas t\u0101l\u0101k par vienk\u0101r\u0161u klaus\u012b\u0161anos, \u013caujot tai k\u013c\u016bt uztveramai ar\u012b vizu\u0101li, izce\u013cot t\u0101s \u0123eometrisko strukt\u016bru. Rad\u012bt iesp\u0113ju caur ska\u0146u izjust da\u013cu no Visuma dabas, ir vi\u0146a izpratne par augst\u0101ko m\u0101kslas darbu.<\/p>\n\n\n\n

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Tatsuru Arai. Face of the Universe, 2023. Symbiotic Sense(s) exhibition, Riga, 2024. Photo: Lelde G\u016btmane<\/em><\/figcaption><\/figure>\n\n\n\n
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Kunsthalle in Kosice, Kosice,16.\u201320.10.2023. ART & tech Days in CIKE(Creative Industry Kosice) in Slovakia. EMAP (European Media Art Platform) residency program 2023.<\/mark><\/figcaption><\/figure>\n\n\n\n
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Kunsthalle in Kosice, Kosice,16.\u201320.10.2023. ART & tech Days in CIKE(Creative Industry Kosice) in Slovakia. EMAP (European Media Art Platform) residency program 2023.<\/mark><\/figcaption><\/figure>\n\n\n\n
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Kunsthalle in Kosice, Kosice,16.\u201320.10.2023. ART & tech Days in CIKE(Creative Industry Kosice) in Slovakia. EMAP (European Media Art Platform) residency program 2023.<\/mark><\/figcaption><\/figure>\n\n\n\n

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Tatsuru Arai (DE\/JP)Face Of the UniverseA.I. paint\/draw system and another generative system, 2023 Artist Tatsuru Arai is researching flowers in cities around the world and creating works that make full use of A.I. technology. In this project, he conducted a survey focusing on plant geopolitics, topography and ecosystems in the urban and rural areas of […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-2974","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/festival2024.rixc.org\/index.php?rest_route=\/wp\/v2\/pages\/2974","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/festival2024.rixc.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/festival2024.rixc.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/festival2024.rixc.org\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/festival2024.rixc.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2974"}],"version-history":[{"count":6,"href":"https:\/\/festival2024.rixc.org\/index.php?rest_route=\/wp\/v2\/pages\/2974\/revisions"}],"predecessor-version":[{"id":3552,"href":"https:\/\/festival2024.rixc.org\/index.php?rest_route=\/wp\/v2\/pages\/2974\/revisions\/3552"}],"wp:attachment":[{"href":"https:\/\/festival2024.rixc.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2974"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}