{"id":2505,"date":"2023-08-30T12:42:15","date_gmt":"2023-08-30T09:42:15","guid":{"rendered":"https:\/\/festival2024.rixc.org?page_id=2505"},"modified":"2024-12-16T13:51:32","modified_gmt":"2024-12-16T10:51:32","slug":"zane-zelmene","status":"publish","type":"page","link":"https:\/\/festival2024.rixc.org\/?page_id=2505","title":{"rendered":"Conference"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/festival2024.rixc.org\/wp-content\/uploads\/2024\/12\/7bilde-1-1024x768.jpg\" alt=\"\" class=\"wp-image-3508\" srcset=\"https:\/\/festival2024.rixc.org\/wp-content\/uploads\/2024\/12\/7bilde-1-1024x768.jpg 1024w, https:\/\/festival2024.rixc.org\/wp-content\/uploads\/2024\/12\/7bilde-1-300x225.jpg 300w, https:\/\/festival2024.rixc.org\/wp-content\/uploads\/2024\/12\/7bilde-1-768x576.jpg 768w, https:\/\/festival2024.rixc.org\/wp-content\/uploads\/2024\/12\/7bilde-1-1536x1152.jpg 1536w, https:\/\/festival2024.rixc.org\/wp-content\/uploads\/2024\/12\/7bilde-1.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><em>Yan SHAO. Notes on Oxygen and Cyanobacteria<\/em><\/figcaption><\/figure>\n\n\n\n<p><strong>October 23\u201325, 2024, Riga, Latvia<\/strong><\/p>\n\n\n\n<p><strong>The 7<\/strong><strong><sup>th<\/sup><\/strong><strong> Open Fields Conference<\/strong><strong><br><\/strong><strong>in the framework of the RIXC Art Science Festival 2024<\/strong><br><em>Neiburgs Hotel \/ Online<\/em><\/p>\n\n\n\n<p><a href=\"https:\/\/www.flickr.com\/photos\/rixcriga\/albums\/72177720322521466\/with\/54199425231\" data-type=\"link\" data-id=\"https:\/\/www.flickr.com\/photos\/rixcriga\/albums\/72177720322521466\/with\/54199425231\">PHOTO ALBUM &gt;&gt;&gt; Open Fields: Symbiotic Sense(s) Conference<\/a><\/p>\n\n\n\n<p><strong>REVIEW<\/strong> >>> R\u00e9gine Debatty. Symbiotic Sense(s). Queer plants, polar bears and peatland. Review of the Open Fields: Symbiotic Sense(s) Conference on We Make Money Not Art. <a href=\"https:\/\/we-make-money-not-art.com\/symbiotic-senses-queer-plants-polar-bears-and-peatland\/\">https:\/\/we-make-money-not-art.com\/symbiotic-senses-queer-plants-polar-bears-and-peatland\/<\/a><\/p>\n\n\n\n<p>___________________________________________________________________________________________________________________________<\/p>\n\n\n\n<p><strong>Keynotes and plenary speakers:<\/strong> Eric KLUITENBERG, Rosemary LEE, Jens HAUSER<\/p>\n\n\n\n<p><strong>Conference speakers:<\/strong> Jade APACK, Nima BAHREHMAND, Elizabeth BARRY, August BLACK, Yindi CHEN, Oksana CHEPELYK, Pohao CHI, Enrico DORIGATTI, Sabrina DURLING-JONES, Tu\u00e7e EREL, J\u0101nis GARAN\u010cS, Mariella GREIL, Yoon Chung HAN, Mona HEDAYATI, Susanna HERTRICH, Carolyn KIRSCHNER, Lily D\u00cdAZ-KOMMONEN, Agata KONARSKA, Jakub KOSECKI, Peter KOZEK, Tina KULT, Robert LISEK, Shanhuan MANTON, Jozef Eduard MASARIK, Me AndOther Me (Anna POMPERMAIER, Cenk G\u00dcZELIS), Katherine MORIWAKI, Sebastian M\u00dcHL, Sandris M\u016aRI\u0145\u0160, Yi Qing NG, Terho OJELL-J\u00c4RVENTAUSTA, Vygintas ORLOVAS, Miguel PAREDES MALDONADO, Chantal T PARIS, Anna PRIEDOLA, M\u00f3nica RIKI\u0106, Arturo ROMERO CARNICERO, Yan SHAO, Oleksandr SIROUS, Lucie STRECKER, Sab\u012bne \u0160N\u0112, Juhani TENHUNEN, Gis\u00e8le TRUDEL, Svitlana USYCHENKO, Agnes VARNAI, L\u012bga V\u0112LI\u0145A, Martins VIZBULIS, Paula V\u012aTOLA, Nathan WILLIAMS, Liang XIAO, Anne YONCHA<\/p>\n\n\n\n<p>___________________________________________________________________________________________________________________________<\/p>\n\n\n\n<p>Focusing on symbiotic senses as a key perspective, this year&#8217;s festival and conference explored its relation to extended cognition and collective intelligence ideas, calling for the urgent need for new visions, artistic and utopian projects in cultural evolution. The idea posits that symbiosis defines our existence, highlighting our complete interdependence on our environment and planetary system.<\/p>\n\n\n\n<p>We welcomed proposals by interdisciplinary researchers, artists, artists-researchers, designers, Ph.D. students, curators, media theorists, art historians, science philosophers, cultural innovators, critical engineers as well as scientists from different fields related to the following <strong>topics:<\/strong><\/p>\n\n\n\n<p><strong>* sensing machines and artificial life<\/strong><strong><br><\/strong><strong>* extended cognition and externally sensory systems<\/strong><strong><br><\/strong><strong>* symbiotic sciences and collective intelligence<\/strong><strong><br><\/strong><strong>* nature cultures and naturally-artificial environments<\/strong><\/p>\n\n\n\n<p><strong>OPEN FIELDS 2024 Conference Chairs:<\/strong><br>Rasa SMITE, Raitis SMITS (Latvia).<\/p>\n\n\n\n<p>Produced by RIXC Centre for New Media Culture.<\/p>\n\n\n\n<p><strong>Contact<\/strong>: <a href=\"mailto:rixc@rixc.org\">rixc@rixc.org<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/openfields2024.rixc.lv\/openconf.php\">https:\/\/openfields2024.rixc.lv\/openconf.php<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/festival2024.rixc.org\/wp-content\/uploads\/2024\/12\/19bilde-1-1024x768.jpg\" alt=\"\" class=\"wp-image-3510\" srcset=\"https:\/\/festival2024.rixc.org\/wp-content\/uploads\/2024\/12\/19bilde-1-1024x768.jpg 1024w, https:\/\/festival2024.rixc.org\/wp-content\/uploads\/2024\/12\/19bilde-1-300x225.jpg 300w, https:\/\/festival2024.rixc.org\/wp-content\/uploads\/2024\/12\/19bilde-1-768x576.jpg 768w, https:\/\/festival2024.rixc.org\/wp-content\/uploads\/2024\/12\/19bilde-1-1536x1152.jpg 1536w, https:\/\/festival2024.rixc.org\/wp-content\/uploads\/2024\/12\/19bilde-1-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><em>Jens HAUSER. Art and the Holobiont: Microperformative Positions Beyond the \u2018Individual\/Collective\u2019 Binary<\/em><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/festival2024.rixc.org\/wp-content\/uploads\/2024\/12\/23bilde-1-1024x768.jpg\" alt=\"\" class=\"wp-image-3511\" srcset=\"https:\/\/festival2024.rixc.org\/wp-content\/uploads\/2024\/12\/23bilde-1-1024x768.jpg 1024w, https:\/\/festival2024.rixc.org\/wp-content\/uploads\/2024\/12\/23bilde-1-300x225.jpg 300w, https:\/\/festival2024.rixc.org\/wp-content\/uploads\/2024\/12\/23bilde-1-768x576.jpg 768w, https:\/\/festival2024.rixc.org\/wp-content\/uploads\/2024\/12\/23bilde-1-1536x1152.jpg 1536w, https:\/\/festival2024.rixc.org\/wp-content\/uploads\/2024\/12\/23bilde-1-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><em>Anna PRIEDOLA. Sensory Mapping of Latvian Post-Military Town<\/em><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/festival2024.rixc.org\/wp-content\/uploads\/2024\/12\/54199645603_0fd7113b20_k-1024x768.jpg\" alt=\"\" class=\"wp-image-3512\" srcset=\"https:\/\/festival2024.rixc.org\/wp-content\/uploads\/2024\/12\/54199645603_0fd7113b20_k-1024x768.jpg 1024w, https:\/\/festival2024.rixc.org\/wp-content\/uploads\/2024\/12\/54199645603_0fd7113b20_k-300x225.jpg 300w, https:\/\/festival2024.rixc.org\/wp-content\/uploads\/2024\/12\/54199645603_0fd7113b20_k-768x576.jpg 768w, https:\/\/festival2024.rixc.org\/wp-content\/uploads\/2024\/12\/54199645603_0fd7113b20_k-1536x1152.jpg 1536w, https:\/\/festival2024.rixc.org\/wp-content\/uploads\/2024\/12\/54199645603_0fd7113b20_k.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><em>Pohao CHI. Hydrospheric Sketch: A Sensorium of Moisture<\/em><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/festival2024.rixc.org\/wp-content\/uploads\/2024\/12\/54199425156_472c0520ae_k-1024x768.jpg\" alt=\"\" class=\"wp-image-3513\" srcset=\"https:\/\/festival2024.rixc.org\/wp-content\/uploads\/2024\/12\/54199425156_472c0520ae_k-1024x768.jpg 1024w, https:\/\/festival2024.rixc.org\/wp-content\/uploads\/2024\/12\/54199425156_472c0520ae_k-300x225.jpg 300w, https:\/\/festival2024.rixc.org\/wp-content\/uploads\/2024\/12\/54199425156_472c0520ae_k-768x576.jpg 768w, https:\/\/festival2024.rixc.org\/wp-content\/uploads\/2024\/12\/54199425156_472c0520ae_k-1536x1152.jpg 1536w, https:\/\/festival2024.rixc.org\/wp-content\/uploads\/2024\/12\/54199425156_472c0520ae_k.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><em>Martins VIZBULIS. See You<\/em><\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>October 23\u201325, 2024, Riga, Latvia The 7th Open Fields Conferencein the framework of the RIXC Art Science Festival 2024Neiburgs Hotel \/ Online PHOTO ALBUM &gt;&gt;&gt; Open Fields: Symbiotic Sense(s) Conference REVIEW >>> R\u00e9gine Debatty. Symbiotic Sense(s). Queer plants, polar bears and peatland. Review of the Open Fields: Symbiotic Sense(s) Conference on We Make Money Not [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-2505","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/festival2024.rixc.org\/index.php?rest_route=\/wp\/v2\/pages\/2505","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/festival2024.rixc.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/festival2024.rixc.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/festival2024.rixc.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/festival2024.rixc.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2505"}],"version-history":[{"count":24,"href":"https:\/\/festival2024.rixc.org\/index.php?rest_route=\/wp\/v2\/pages\/2505\/revisions"}],"predecessor-version":[{"id":3627,"href":"https:\/\/festival2024.rixc.org\/index.php?rest_route=\/wp\/v2\/pages\/2505\/revisions\/3627"}],"wp:attachment":[{"href":"https:\/\/festival2024.rixc.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2505"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}